Share: What started off as an uncomfortable controversy from the New Yorker accusing comedian Hasan Minhaj of lying about his life has turned into asking, why are we fact-checking comedians to begin with? Are performers allowed to embellish their stories for emotional gain? Look, a good story isn’t always a factually accurate one. If you want to captivate an audience, sometimes you have to over-exaggerate for people to follow along. This was Minhaj’s argument back at the New Yorker when he posted a 20-minute-long rebuttal …
Journalism in the height of the #MeToo movement
Share: The New Yorker gave Deborah Ramirez a platform to speak. Yes, Ramirez used anonymous sources to backup her claims. No, it doesn’t make the New Yorker or the writers, Ronan Farrow and Jane Mayer, any less credible. And here’s why: this societal and justice system was set up to disenfranchise survivors of sexual, emotional and physical abuse while simultaneously protecting abusers. The New Yorker gave her a platform—a voice. Follow: